I miss Christopher Kenworthy.

Christopher Kenworthy, The Quality of Light. The most overtly magickal of his novels.

He wrote two extraordinarily atmospheric novels (2000, 2001) and a collection of intense short stories (1997). I miss the strange lucidity and skewed observations in his writing, which trap and bind the reader in the weight of bodily experience, yet somehow at the same time offer something ethereal and transcendent.

There was a passage about how catching a cold changed the perceptions of the narrator, which made a sniffle seem like tripping on LSD. In another passage the narrator leans from the window of a tower block and hears the rain; just the non-sound of water falling through air on its way to the ground. I have not looked up these passages. What the text actually says is not my point.

I read Kenworthy at the same time I had started to wonder about magick. I could not let go of experiences as a teenager, messing with the Ouija board. It felt fake to go about pretending things like that did not happen. I wondered if magick were a way to cause those things, rather than just waiting and hoping for the miraculous. Kenworthy seemed to hint there was a means to see the world as he presented it. I suspected this method was occultism. It felt to me as if he wrote from the perspective of someone who had been to the woods and conducted questionable experiments, had performed ill-judged rituals with unpleasant consequences; that all his stories were attempts at coming to terms with this.

But I do not know this. I know next to nothing about him. I waited for new novels from him that never came. Following his career online, he was moving into directing films. Cinema’s gain was literature’s loss, as far as I was concerned.

During the early 90s I was haunting the small press scene. I printed out stories on A4 sheets and posted them to editors. A free copy of a magazine was usually the only enticement. My stories returned rapidly in the self-addressed envelopes I had supplied. Kenworthy had just about outgrown this scene, but there was a goth magazine named Occular that had a story of mine in the same issue as one by him. This was my highlight. I slogged on for a few more years. I gave up because the effort was incommensurate with the returns. That, and a lack of talent.

Kenworthy had emigrated to Australia and made a successful career directing music videos. He wrote bestselling manuals on filmmaking. And then I remember an announcement that he was giving up making films. No reason was given, but my fantasy plugged the gap: spousal pressure to take up steadier work; a damaged occultist saved and constrained by his commitments. But I had no evidence whatsoever.

He made a feature film (2009) that I struggled for years to find. Strangely, today, at last, I found a copy for purchase. It has been downloading whilst I have written this. So perhaps Kenworthy was never actually missing at all; the obscurity was my creation. Missing something reveals little about what is supposedly absent, but much more perhaps of he in whom the feelings arise.

I have missed writing in public on things I am passionate about. I am thinking about Kenworthy now, perhaps, because I have been absent from myself.

On the Weird Studies podcast I was surprised to hear mention of “two English occultists, Duncan Barford and Alan Chapman, who in the 2000s had a really great blog called The Baptist’s Head and then […] they basically disappeared off the face of the earth” (Ford & Martel 2018).

It is nice to be missed, but we had not disappeared. Alan was building a reputation as a spiritual teacher and developing the teachings that would become Magia. And I was still writing, although anonymously at times, whilst training and building a career in counselling. Anyone who looked would have found us, but what were they looking for? I had been looking for a writer and occultist in someone who was apparently no longer either; no wonder Kenworthy had seemed hard to find. But I had withdrawn also from public view in those fields. Maybe I was missing through someone else what I had turned away from in myself.

Things seem different now. Alan and I are in communication again. Synchronicities are mounting. A feeling is building that what seemed missing was actually there all along.


Ford, Phil & J.F. Martel (2018) Weird studies episode 36 – on hyperstition. https://tinyurl.com/yyzrg8zg (weirdstudies.com). Accessed September 2020.

Kenworthy, Christopher (1996). Will You Hold Me? London: The Do-Not Press

Kenworthy, Christopher (2000). The Winter Inside. London: Serpent’s Tail.

Kenworthy, Christopher (2001). The Quality of Light. London: Serpent’s Tail.

Kenworthy, Christopher, director (2009). The Sculptor [aka The Sculptor’s Ritual].