Magick Versus Content: Comments on a Scene from The Unbinding

The Unbinding (Pfeiffer 2023) is a new documentary from the same team that brought us Hellier (Pfeiffer 2019). Because it’s so new, I shall avoid any spoilers in what follows.

The Unbinding (2023), directed by Karl Pfeiffer, “an archetypal journey […] to return an object that has much more to it than meets the eye”.

It concerns a weird-looking artefact that winds up in the possession of Greg and Dana Newkirk after its original discoverers undergo disturbing experiences and pass it to the Newkirks in desperation. Strange happenings then commence in the Newkirks’ home, so they begin a thorough magickal investigation. The story unfolds with all the narrative skill and high production values that fans of Hellier will be hoping for. In the film’s surprising conclusion, the nature of the artefact proves to be something that most viewers will never suspect.

From a magickal perspective The Unbinding raises some interesting questions: why would an entity of this nature behave like that; and is it significant that its story is being told at this historical moment? These questions are not explored in the film, and it still feels too soon for me to tackle them here, but what moved me to comment is a particular sequence that presents some difficulties concerning the ethics of occult content creation.

Of course, I create occult content too, and I’m ever conscious of the potential conflict between promotion of magickal or spiritual development and accumulation of an audience or revenue. I aim to produce content that’s clearly in the service of the former, but it’s not always an easy call.

Listeners to WORP FM will have noticed our spasmodic recording schedule – algorithmic suicide, no doubt. Alan and I agree to make an episode far more often than we actually do. We make firm plans to talk about a topic but usually we decide that it isn’t really worthwhile. We’ll address something only when it seems to make a clear and constructive difference. If that sounds sanctimonious, so be it, but stating our conscious motive helps us try to live up to it, at least.

Magickal investigation in The Unbinding leads the participants to decide they must give up possession of the artefact. The Newkirks own and run a travelling museum of haunted objects; if they surrender the artefact it will no longer feature in the museum. They decide, as an experiment, to make a 3D digital scan of the artefact from which they can print a replica. Their stated aim is to explore whether a 3D print of a haunted object might also produce paranormal effects. Presumably, the replica will also fill the gap in the museum left by the original.

The sequence of the film in question was originally streamed live to internet followers. Whilst the artefact is being digitally scanned, questions are addressed to the spirit associated with it, and answers are obtained via a medium (who is wearing a blindfold and noise-cancelling headphones) using the Estes method.

The two operators begin by explaining their intentions to the spirit, but the medium’s responses immediately convey the spirit’s clear and fearful misgivings:

OPERATOR: A camera is going to send out little beams of light that are going to bounce off the artefact that you inhabit.
MEDIUM: Choking.
OPERATOR: It’s not going to hurt you. It’s not going to choke you.
MEDIUM: It is.
OPERATOR: It’s not going to hurt you, I promise […]
MEDIUM: Hurt.
OPERATOR: I promise, it’s not going to.
(Pfeiffer 2023: 41’47”)

The scanning of the artefact begins and the medium reports sharp pains at specific points in her body. In an intercut sequence from a later interview, she states that never before had she experienced physical pain whilst using the Estes method.

The scanning process continues.

MEDIUM: Don’t… make that.
OPERATOR: I have to. You don’t want us to print you?
MEDIUM: No. No.
OPERATOR: It’s almost done, sweetheart.
(Pfeiffer 2023: 42’53”)

When a further scan is made the medium again reports physical pain.

The curious thing about this scene is that although the operators are palpably concerned for the spirit when (later) it seems it is being coerced and controlled by another entity, they seem oblivious to the possibility of distress caused by their own actions. Clearly, the spirit does not want the artefact to be scanned, and the reports from the medium suggest this is a cause of pain to the medium and/or the entity.

Rather than what the spirit says to them, the operators seem more impressed by the relevance and timing of the medium’s responses, as if dispelling doubt over the method or the veracity of the entity were a greater concern to them than the very clear request for them to stop. Possible reasons for that request are not explored either.

This scene impressed on me how even those of us who wholly accept the paranormal and magick are still vulnerable to slipping into materialistic thinking. Presumably unconsciously, the desire to obtain a replica of the artefact and to demonstrate the veracity of the method perhaps took precedence over understanding and responding to the communications as interactions with an actual presence.

Artefacts and methods that produce reliable effects are excellent resources for generating interesting content, but if the spirit’s “Don’t… make that” is to be heard and not drowned out, a magical perspective is required.

References

Pfeiffer, Karl, director (2019). Hellier. Planet Weird.

Pfeiffer, Karl, director (2023). The Unbinding. Planet Weird.

Some Thoughts on the Paranormal and Awakening

My working definition of awakening comes from my reading of Daniel Ingram’s Mastering the Core Teachings of the Buddha: the capacity for direct experience (in real time) of the non-dual nature of reality. However, in an old notebook of mine I came across a different definition from Christina Feldman, which she expressed during a ten-minute consultation at Gaia House.

“Awakening is the implosion of all samskaras,” she said.

I had forgotten this immediately. At the time it made no sense.

Samskaras are unconscious tendencies that influence perception. They determine how and of what we are conscious. The term samskara is often translated into English as “formation”. Fundamental human ignorance gives rise to samskaras and they, in turn, give rise to consciousness – that by means of which we are aware.

A samskara might be a karmic tendency formed in this lifetime, or it might arise from past lives. If that sounds fanciful, consider how these tendencies are neither conscious nor voluntary. Feasibly, they might arise from the influence of other people, which, in turn, arises from the influence of others upon them. In this sense samskaras very evidently reflect the impact of past lives.

Talking with Tommie Kelly about formations (in one of our forthcoming videos on the Nidana Cards) I realised I was out of my depth. When awakened teachers such as Ingram and Feldman talk about formations they are describing territory beyond my personal experience. Although, hopefully, I can give useful pointers to folks completely new to the concept, at best I’ve only caught some sketchy glimpses.

Tommie pointed me to a Daniel Ingram interview online, interesting because Daniel seems to delineate awakening there in a way that chimes more with Christina Feldman’s description. What we experience as personal intentions, he explains, are inseparable and no different from any other perception. It struck me that if reality were experienced directly in this way then formations would be seen clearly for what they are. Was this Feldman’s “implosion of all samskaras”?

Podcast interview in which Daniel Ingram seems to take a slightly different angle from usual in describing the experience of awakened consciousness. (See 5’16” onwards.)

So, I decided to explore intention in my daily meditation. I dedicated an hour simply to noting experiences that were preceded by an intention and those that weren’t.

Something very strange occurred.

I had been sitting for a while when my left hand began to move – not slightly, but vigorously, rotating side to side with a waggling motion of the wrist. It was a gesture that in a face-to-face conversation might have signified doubt or: “Hey, hold on there for a minute!” It lasted a couple of seconds. Then, another second later (and I felt immediately this was what the gesture had indicated) the timer sounded the end of the hour.

The weird thing, aside from its predicting precisely the end of the sit, was the lack of volition. My hand moved, but I was not moving it. Neither was it moved by an external force. The impetus to move was from within, but it wasn’t mine.

I had been sitting for almost an hour, carefully discriminating experiences that followed intentions from those that did not. Something seemed to want to show me what it knew would perplex me: a bodily movement with no intention, signifying a future event of which I had no knowledge. Even as I searched for the intention, my hand moved, and I was left looking on in wonder.

Where there is an intention we can say “I did that” and hang a sense of self on it. But, if an experience that’s usually preceded by an intention occurs without one, then an uncanny sense of “otherness” hangs on it instead. This feels anomalous, paranormal, distinctly “tricksterish”. Something seemed to indicate its sentience by signalling that it knew (or could predict) when the alarm was going to sound. It seemed as if something were aware that I was noting intentional and non-intentional experiences and had decided to throw at me one that was neither. Something seemed to demonstrate that it enjoys a relationship to consciousness and time very different from mine.

What came to mind, oddly, was the Pentagon UFO footage, GIMBAL and GOFAST. It had the same feeling: something displaying itself in ways it knows we cannot fit within our frame of reference.

Iconic video sequences of unidentified objects captured by US Navy fighter jets. (Left: “GIMBAL”. Right: “GOFAST”.)

A paranormal experience is a witnessing without understanding. Awakening is an understanding without witnessing. We do not see samskaras until we understand intention is inseparable from any other experience, an understanding that removes all notion of a witness. On awakening, reality appears the same but is understood. On witnessing the paranormal, reality feels perplexingly strange and different from what it seemed before.

Awakening dissolves the witness. Paranormal experience coagulates and isolates it. In response to what we don’t understand we may contract into fear, anger, or avoidance. People often encounter challenges on the path to awakening, anomalous experiences such as kundalini phenomena, unsolicited visions, or communications with discarnate entities. If these cause enough disruption to necessitate disclosure to medical professionals, they may attract a diagnosis of psychosis. The lack of an understanding of the experience is re-framed as a problem, a problem situated within the person seeking understanding rather than in what is not understood.

Fortunately, being human entails an ever-present possibility of understanding. The paranormal can be understood (paradoxically) as radically non-understandable. Then the focus shifts from questions about what a phenomenon “really is” onto our relationship with it. Then we can become a participant rather than a witness.

Our inability to comprehend the paranormal is not “in” us, it is us, because not understanding is the relationship of the human to the paranormal. It’s a samskara. Yet, once seen, it “implodes”.

We might choose to persist in trying to understand what the paranormal “is”, but it ought to give us pause for thought how, despite centuries of effort, we are no closer even to a definition of what we mean by “ghost”, “UFO”, or “faery”. We go on witnessing without understanding because this is our relationship to those phenomena.

It is tempting to wonder if the paranormal is designed to lead us away from comprehension. But that, again, is an attempt to define what it is. Taking this route are those accounts of the paranormal regarding it as “Satanic”. Certainly, paranormal experiences can deceive and mislead, but it depends on how the individual perceives them.

From the perspective of awakening, there is no witness separate from or looking onto reality, but simply reality understanding itself. This implies that the witness is an illusion, but so too is the sense of a separate “other” that creates a paranormal experience.

When my hand moved without conscious intention, it seemed that an intention (to make a signal) arose from something other. But if the experience of an intention is not the same as what expresses the intention then it is equally erroneous to mistake the absence of a personal intention for a paranormal other.

The more inexplicable an experience, the harder it is to discriminate between an event that was intended or (as the skeptic will always insist) an event that occurred naturally. It is mistaking the paranormal for an other that creates a sense of its separation from everyday reality.

Suppose a cup on the kitchen table flies across the room and shatters against the opposite wall. We might trace the cause to a natural phenomenon (a seismic tremor, perhaps) or, in the absence of any known natural cause, consider the paranormal option: the intention of some other. Opting for the latter confronts us with that quintessentially paranormal sense of something somehow operating outside of everyday reality. Yet, patently, if the cup were indeed flung at the intention of an other, the event and its instigator cannot be any less a part of reality than ourselves.

A paranormal experience is like an awakening in the way it confronts us with how intention is synonymous neither with self nor with other. It’s only when we understand the relationship between ourselves and the paranormal as defined by incomprehension that it ceases to appear as what it certainly cannot be: something unreal.

The Nidana Cards

Tommie Kelly and I discuss the Nidana Cards, a new card-based oracle, inspired by Buddhist teachings, which he and I have developed over the past year or so.

In the video, we discuss the origins of this new oracle; the meaning and philosophy of the nidanas; how Tommie tackled the challenge of giving them a new and unique pictorial expression; the meanings of some of the cards; the overall character of the oracle; and some guidance on how it can be used for divination and contemplation.

Our plan is to release further short videos exploring the meaning of each one of the twenty-six cards.

Against Everyone with Conner Habib

Conner and I met for the first time at Treadwell’s bookshop in London, where I joined him in conversation to mark the launch of his wonderful first novel, Hawk Mountain.

I was delighted to accept his recent invitation to appear on his long-running and immensely wide-ranging podcast, Against Everyone with Conner Habib.

It was the perfect way to spend a Saturday afternoon, chatting with Conner over Zoom down in the shed. “Surely he’s not going to use all of that?” I thought, after we’d finished. But he did. Pretty much.

The conversation circles around the place of magick in spiritual development. I had trouble sleeping that night, worried I’d said too much, and concerned I had wandered into areas that would provoke a negative reaction. After listening to the episode, I wondered where on earth that anxiety had come from. But something I noticed (connected with those feelings, no doubt) is how Conner presents his ideas and opinions on magick and spiritual development in a more direct way than I’ve heard him in the past. He has actually spoken on his podcast himself about self-censoring sometimes things that parts of his audience might consider too “woo”.

There seems little restraint in this episode, however. I hope it sounds to others as it sounds to me, like two people talking openly and honestly.

Visitation

I woke in despair and dereliction and put a hand to my heart to comfort myself.

The goddess came. She that is both lover and mother. It was her hand against my heart. I no longer comforted myself. She comforted me.

I was relieved, but then sensed where she was taking me, and I was filled with dread. Even as she held me, she showed me how everything would be taken away, and all that I feared most would happen.

She said: Though it all passes, I shall hold you.

I saw how the fullness of being held is the same as the emptiness of everything taken away.

She said: Held by me, emptiness is fullness. Emptiness and the loss of everything are held in the light of my perpetual embrace.

Some Other Sphere

I have been listening to Rick Palmer’s Some Other Sphere podcast for quite some time and was delighted when he invited me on as a guest.

Rick strikes me as a true Fortean, as the range of topics covered by the podcast suggests: the paranormal, magick, occultism, folklore, cryptids. Recent guests include paranormal investigator Evelyn Hollow, and Rev. Peter Laws (speaking on the links between his passion for horror movies and his religious vocation).

Our conversation explores the intersection between psychology, magick, and spirituality, covering topics such as the nature of mind and reality, the Abramelin working, and the limits of psychology.

Rick has a lovely, gentle conversational style and comes up with some strikingly original questions as the basis for our discussion.

Undefined Boundary: The Journal of Psychick Albion

I’m very proud to have an article in this interesting and diverse selection of essays that explores the relationship between landscape, place, and the British visionary tradition.

My contribution focuses on the film Penda’s Pen (1974), written by David Rudkin and directed by Alan Clark. Entitled “The Magical Praxis and Politics of Penda’s Fen“, it explores the film’s depiction of magick as a means of political resistance and suggests how its themes are maybe even more relevant today than in the 1970s.

Copies can be obtained from the publisher, Temporal Boundary Press, alongside other interesting publications.

Penda’s Fen was also the topic of OEITH #119: A Once and Future King.

In Conversation with Conner Habib

Looking forward to meeting and appearing in conversation with Conner Habib at Treadwell’s, London (7pm, Thursday 8th September).

Conner will be launching his new novel, Hawk Mountain, the story of what happens when a schoolteacher’s life is interrupted by the re-appearance of his high school bully. It’s a tense and beautifully-written exploration of the dark side of innocence and the destructive potential of love. I was blown away by it, and highly recommend it.

Conner Habib: author and podcast host of Against Everyone with Conner Habib.

I’m looking forwards to exploring with Conner how his occult interests have shaped the themes of his novel and his approach to writing. A drinks party and book-signing will follow the talk.

At the time of writing, in-person tickets are still available (£5) and the event will also be streamed online. See the Treadwell’s website for details. Maybe I’ll see you there!

Weird Studies

Chuffed beyond words to be invited by Phil and JF onto the mighty Weird Studies!

Episode 124: Dark Night Radio of the Soul, with Duncan Barford.

It was a great experience to see two of my podcast heroes in action, and witness their wonderful dynamic from behind the scenes.

We talk about the dark night of the soul, the shadow side of spiritual practice, and the potential pitfalls and benefits of choosing magick as a spiritual path.